A HISTORY OF HOLLOWS
TARZEER PICTURES
SEPTEMBER 19 TO NOVEMBER 7, 2024
2024
"My mother has been suffering from memory loss, and I’ve taken it upon myself to
trace her past through objects, stories, and the house in which she came of age.
In 2020, my brother and I had her live closer to us. She was living in a house that
belonged to my grandmother—an old apartment that had been with my family
since the 1960s. Over the course of three years, we slowly emptied it and moved
their belongings to the new place. My mother lived there as a young girl, and moved
back later when my grandmother died some years ago (she also suffered from
memory loss). Last year, I was tasked with selling the apartment.”
A History of Hollows charts Micaela Benedicto’s attempt to inhabit her mother’s
mind. Through photograms of objects she took from the house, reflective silver
prints mounted on sculptural forms, a rotating installation, and a collection of
stories, Benedicto creates an internal world of voids. From a blueprint drawn by
grief, she contends with the puzzling future of memory within the prism of the old
house and their family’s relics. Where the act of remembering is molded as a real,
physical system projecting into and receding from space.
An architect, musician, and visual artist, Benedicto draws deeply from what she
knows well to give form to what remains uncertain. Faithful in 1:1 scale and fleeting
in figure, the works make tangible a space (and a mind) that is fascinating, curious,
and wavering.
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